Have you ever liked a villain more than the hero? Who and why?
In Defence of Darkness – Why I Fell For The Villain Who Was Never Meant To Be Loved

Have you ever liked a villain more than a hero?
I have. And I still remember the unease of that confession in a single-screen theatre, surrounded by whistles for the hero, while my own sympathies were quietly, traitorously, leaning toward the other side of the moral fence.
I liked Shah Rukh Khan when Sunny Deol was the Hero .It was Darr (1993) – Yash Chopra’s haunting symphony of love turned into obsession.
And if that is the film, then dear reader, you are not alone. An entire generation felt the same delightful guilt.
The Hero We Were Supposed to Cheer
On paper, Sunny Deol as Sunil Malhotra was impeccable. He was duty, honour, protection. The archetypal hero – upright as a lighthouse in a storm, steadfast, muscular in both ethic and physique. He loved with the calm certainty of daylight. He was the man our parents wanted us to become.
He was, perhaps, too perfect to be interesting.
Heroes like Sunil reassure us. They do not disturb us. And that, paradoxically, is their narrative failing. Virtue without vulnerability becomes marble – admirable, but cold to touch.
The Villain We Were Never Meant to Understand
Then entered Rahul Mehra. Shah Rukh Khan, all of 27 then, with a stammer that could curdle your blood and eyes that held both a child’s yearning and a madman’s abyss.
Rahul was not evil for the sake of evil. That is what made him unforgettable. His was not the villainy of greed or conquest, but the villainy of a love so absolute, so untempered by reason, that it consumed itself. In literature, we would call him Byronic – tortured, obsessive, eloquent in his madness. He was Heathcliff on the moors of Mumbai, whispering “K-k-k-kiran” into a silence that answered him with fear.
Chopra did something audacious. He gave the villain a monologue of the soul. We saw his loneliness. His motherless childhood. His letters never sent. His world where love was not a feeling but a religion, and where rejection was not disappointment but sacrilege.
How could we not feel for him?
Sunny Deol fought for Kiran. Rahul suffered for her. And human hearts, fickle and literary as they are, are always more moved by suffering than by strength.
There is a line in Paradise Lost where Milton makes Satan so tragically magnificent that readers have, for centuries, secretly rooted for him. Darr did the same. It reminded us that villains are often just heroes of a story told from the other side.
Why We Love the Monster
We like villains more than heroes sometimes because heroes reflect who we aspire to be, while villains reflect who we are – flawed, insecure, obsessive, terrified of being unloved.
Sunil had the world on his side. Family, law, society. Rahul had only his delusion, and he clung to it with the desperate poetry of a drowning man clinging to a raft.
In that imbalance, there was a profound, unsettling humanity. We did not condone his stalking. We did not endorse his violence. But we understood his ache. And understanding, as any lover of literature knows, is a hair’s breadth away from forgiveness.
That is the genius of Shah Rukh Khan in Darr. He did not play a villain. He played a lover who never learned how to stop loving. And in doing so, he made villainy vulnerable.
So yes, I have liked a villain more than a hero. His name was Rahul. And he taught me that sometimes the most memorable shadows are cast by the most brilliant, broken light.
Have you felt that same strange sympathy? That moment when the audience cheers for the hero, and you find yourself mourning the villain?
If so, perhaps it is not that we have poor morals. Perhaps it is that we have good imaginations.





